CHLOROFORM RAPIST
is a perverse, minimalistic Power Electronics project from Finland, whose
member(s) want(s) to remain anonymous. Thanks again for this interview, which,
by the way, is the first this project has ever given
TM: Hello! First of all thanks for agreeing to do the interview. What is
Chloroform Rapist? How would you describe the project?
CR: Minimalist
power electronics or "postmortem" if you like. Monotonous, hostile
and raw.
Glorification of
(chloroform) rape. Cunt falls into chloroform sleep. Bleak darkness. Molester's
playground. Soft seemingly lifeless naked body starts to move. Saggy tits are
bouncing slowly back and forth. Like slow motion. No rush. No need to pleasure
anyone but yourself. At your own pace. As long as you please. You got cunt, ass
and mouth to use. You got the whole body of buxom whore to play with,
humiliate, slap, spit, piss and beat. Maximum abuse. Total freedom of love!
TM: Your cover
artworks and inlays are very bleak. Why is there no hint at the agenda behind
CR? Do you want the listener to make it up himself?
CR: The agenda is
in the sounds and much can be guessed from the band name. There's no need to
show much. Idea is pretty straightforward, obvious...
TM: Your
recordings have a cold, monotonous, sinister sound to them. Can this be seen as
the concept behind CR? Are you planning to explore any new sonic territories
sometime?
CR: Yes,
chloroform sleep. Rag over your face and then darkness. This is our sound and
we don't need to expand it. Always the same from now to the end of times.
Playground will remain the same, only the whore changes but same holes and same
pathetic slut to use. Again and again. Cold monotonous soundtrack for praising
activities of chloroform rapist.
TM: Your releases
(and the project name) hint at sexual violence and maybe even misogyny. What do
these themes mean to you? In what way do you want to deal with them in CR?
CR: Drugged,
unconscious women/whores. Our experiences and fantasies regarding them. They
are everything. Its in our genes. We are predators.
TM: So far, CR
material has only been published on tape and vinyl. Could you see yourself
doing a professional CD release?
CR: There has been
talk of collecting all so far released (and most of em sold out) material on a
professional CD release. This should happen sometime in 2014.
TM: You have done
split releases with bands like S.T.A.B. Electronics, Clinic of Torture and
Unclean. How did this happen? Were you approached by the respective labels or
did the individuals behind the respective projects come up with it themselves?
CR: Labels
approached us and we agreed because we knew they'd do a good job and we also
know and like the other artists. We won't do releases just for any random
label.
TM: You are a
Finnish power electronics project. This country has a long tradition of
ultra-crude and violent PE. Why has Finland spawned such a large number of
“depraved” PE, noise, Black Metal etc. projects? Any thoughts on this?
CR: We do things
instead of endless bullshit small talk etc. Less talk, more action. If there is
something we don't like we will say it even if it would be your friends
project/band. In USA you can say very easily "ooh I am gonna kill
you" and it means absolutely nothing. Here when you hear it you are pretty
much already dead or will be in a few seconds. No
"awesome/rad/stoked" mentality here.
TM: How would you
describe the Finnish noise scene in general?
CR: Strong,
virile. Many real persons, few copycats.
TM: Will/have
there ever been any live performances?
CR: CR could work
well live and loud at semi darkness w/ few strong visuals. We'll see but don't
hold your breath.
TM: Do you think
that noise is the best vehicle for depraved and violent themes? Do you
personally also enjoy noise with non-filthy themes, or does noise have to be
sick to be good?
CR: Violent sound
goes well with violent themes. Most artists who describe their work as
"sick" are usually just the opposite. To each their own.
TM: Many crude,
primitive PE projects, like Snuff for example, have released band shirts,
patches etc. Do you oppose the idea of CR merch or could you see it happening,
when the time is right?
CR: Might happen
when the time is right. Again, don't hold your breath.
TM: Pornography
has a large influence on many PE musicians and projects. Do you also enjoy
pornographic imagery? If yes, what kind?
CR: Anything that
simulates the scenarios we do like/lust are enjoyable, whether film, book or
magazine.
TM: How important
is gear to you? Which devices were used to create the sounds?
CR: Minimal set-up
of mostly tape loops and feedback. We are no gear geeks. We work with very
minimal and primitive gear and we have a certain working dogma but that will
remain secret. CR: Thank you for your interest.
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