RxAxPxE is an overtly Satanist project whose current style is rooted
in the field of Power Electronics and Noise. However this has not
always been the case during the 10 years in which it has existed. In
his earliest days PP used his brainchild RxAxPxE to explore sonic
territories not too far from Cybergrind. Much has happened since
then. After “Droning Disdain”, the last album of that ilk,
RxAxPxE kept the aggressive, distorted vocal performance, but
exchanged the Cybergrind-sounds with Industrial-Noise frequencies.
Split and collaborative releases with the likes of Gnawed, Filth and
Violence and Ride for Revenge were to follow.
RxAxPxE's recent album is entitled “Flesh Commandments” and was
released by the German label “Phosgen Records” on professional CD
in a stylish digipack. The expression “recent album” needs to be
specified, though. “Flesh Commandments” was actually recorded in
the year 2011 and due for release shortly after the superb split with
Gnawed. This freshness is somehow reflected in the tracks themselves.
The sounds on “Flesh Commandments” are vile and brutal, but
always atmospheric, dense and intriguing. Most of the material is
structured in a way that reminds of Death Industrial, but the free
flow of noisy sound is always preserved. The mixture works perfectly
and the result is a very distinct one. Although the same brand of
analogue brutality is offered throughout the entire 10 tracks, PP
manages to reinterpret it in many ways. “Cross Cult” and
“Declaration” present a lot of sharp throbbing action similar to
a few hit songs by many renowned Death Industrial projects, whereas,
for example, “Prayers” and “Black Shadow Rising” tend more
towards the murky and atmospheric side of things. “Stereotype”
and “Innards”, on the other hand, are as close to traditional
high-pitched Power Electronics screechiness, as this style can get.
Structure is the core principle of “Flesh Commandments”. Even in
the noisier segments, there is always a build-up and never any
boredom or stagnation. In a nutshell, RxAxPxE's album is a black and
Satanic interpretation of Industrial, enriched with some ingredients
from other similar styles. It is, however, obligatory to state that
RxAxPxE manages to take these approaches and build an own vision and
style. This is also due to PP's manic vocal performance which suits
the music and underlying concept perfectly!
“Flesh Commandments” is certainly a new level of quality for
RxAxPxE. It seems as if the euphoria of finding a new style (and
maybe new gear) was channelled into this truly remarkable album. One
can only hope for more material like this, but the new releases on
Bestial Burst and F&V prove that there is not even the slightest
need to worry there.
I was able to conduct an interview with RxAxPxE mastermind PP which
will be presented here in its unabridged form:
TM: Hello! First of all thanks for the interview, glad to have you on
Thanatische Manifestationen. For those who do not know you already:
who are you and what do you do?
PP: RXAXPXE has been formed in 2005 and is in constant action since
then. The basis is electronical deconstruction which has been
practised in various forms of extremism with different collaborateurs
situated in diverse musical genres.
TM: RxAxPxE is a Satanic noise project. What kind of Satanism do you
practise and what role does it play in your life and your project?
PP: There is just one kind of Satanism. Each false prophet who wants
to make you believe something different will be hanged sooner than
later. The Devil is a constantly present entity which is the origin
and the essence of RXAXPXE. As the left hand path is flooded with
liars we are in a constant strife which only can be won by
fundamental actions. RXAXPXE is to be considered a weapon within this
strife for the truth and the way back to Ain.
TM: What is the meaning behind the name of your project? Why the
“X's?
PP: It’s just the RAPE of your world, nothing else.
TM: For some time, you have been using a logo with an inverted
triangle showing a death's head and have used it on T-shirts and
patches. What is the meaning behind it? Who designed it?
PP: That logo has been designed by a close friend and member of the
movement since the very beginning, namely Brian VDP. It’s
representing the glorification of the decline in multiple ways.
TM: Why did you decide to start RxAxPxE back in the day?
PP: RXAXPXE has always been considered an act of terrorism. People
only have the chance to see the truth if they are forced to do. We
want to set fire in the minds of our listeners who themselves shall
carry the fire and infect the world with disdain, hatred and
malevolence.
TM: The early recordings were somewhat rooted in Cybergrind. How
would you describe the musical changes RxAxPxE has gone through? Was
it a long and hard journey?
PP: We don’t care about musical genres. RXAXPXE has been under
constant changes and always will be. RXAXPXE is rooted in disharmony,
pain and devotion which we are presenting in different facets. It has
been a never ending journey indeed but it hasn’t been hard. Things
have to be done for our final goal to be achieved. This ain’ t no
duty but an honour.
TM: Would you say that you have found a style that suits the concept
or will you continue to evolve? Do you think it's possible that it
will move into absolutely new territories?
PP:
Stagnation would be the total opposite of the origins of RXAXPXE. Our
total focus will stay on a fundamental unpredictability because this
is what the sheep fear.
TM: RxAxPxE has a very strong concept. Would you say that the meaning
is more important than the sounds?
PP: The sounds are based on the concept and are a way of mental
arson. We consider both aspects equal important as they are one and
wouldn’t be as effective as they are if one part would be missing.
TM: In my opinion, nowadays RxAxPxE has a very warm and gritty sound
that could be classified as “old school” (maybe similar to some
Cold Meat Industry projects). What kind of setup do you use? Is this
kind of presentation important to you?
PP: There is no meaning in technical details. We ain’t “artists”:
We are activists.
TM: The early stages and a lot of supporters and split partners (like
Intestinal Disgorge) stem from Grindcore, the aesthetic is very close
to that of a lot of Black Metal acts. Would you say that RxAxPxE
transcends the noise genre?
PP: That’s correct and this is one aspect of the Adversary. We burn
the borders of musical genres and collaborate with individuals who
share our vision, no matter what kind of music they are practising.
Together we are able to spread the warfare faster and more
effectively.
TM: What role does misogyny play in your music? Especially titles
like “Anti-Female Orchestra” are very direct, when it comes to
this.
PP: No comment.
TM: Although Power Electronics, Death Industrial and Noise often
utilise very “extreme” themes, occultism doesn't seem to be among
the most frequent ones. Why is that the case, in your opinion? Are
there any occult and/or Satanic projects you favour? Any that you
would state as influences?
PP: I am not very familiar with the thematic background of musical
genres and can’t evaluate if this is the case or not. Based on my
surveillance Power Electronics (like every musical genre) is pretty
much controlled by trends which don’t interest me. Politics and
provocation in general seem to be very prominent nowadays. As to
RXAXPXE we must state that provocation is pure disgust for us. It’s
a theatre and a show. It’s a lie. Our influence is the Devil who
chose us.
TM: “Adoration of Decline” was the result of a cooperation
between you and pornographer Marco Malattia. How did this happen and
what can you say about the finished product?
PP: Marco has a strong faith and we have been in contact since many
years as we enjoyed his film works and he is a member of the movement
since the very beginning. One day we decided to join forces in a
musical/movie collaboration which has a strong devotional basis. We
are very proud of the resulting DVD which sold out instantly.
Currently we are working on “Adoration Of Decline II” which will
transcend the expectations of the coven in many ways.
TM: So far, RxAxPxE has never played live. Why is that the case? Do
you intend to ever do so?
PP: Most likely RXAXPXE will never play live. This has the simple
reason that we strongly refuse to do a “show” in any way. We do
not want to entertain. We want to set fire.
TM: One of your latest releases was the exquisite split release
between you and the obscure Finnish cult act Ride for Revenge. How
did this happen?
PP: Ride for Revenge is the elite of nowadays Black Metal and provide
an exceptional work of pureness. So this split which has been
released via Bestial Burst brought together what belongs together.
TM: Speaking of Finland, you have also just released a second tape on
F&V. However, your material is heavily “molested” by F&V,
apparently. How does this collaborative process work? Do you provide
source material to be altered? What are your feelings towards this
“different” version of RxAxPxE?
PP: F&V annihilates already destroyed harmonies on both RAPE
Tapes. With this collaboration we are able to lift up musical
degradation to a new level which we are proud of. The basis of this
work are RXAXPXE sounds which get deconstructed in a Finnish bunker.
TM: Your latest full-length “Flesh Commandments” has just
recently been released, but should have seen the light of day much
earlier. What is the reason for this?
PP: “Flesh Commandments” was planned for a release in 2011.
Unfortunately we have been badly disappointed by persons and labels
who should have been releasing this one. Phosgen Records changed this
finally and released this “true” second album in a very limited
digipack edition.
TM: Although RxAxPxE is vocal-heavy, lyrics are never printed. Why is
that the case? What kind of themes do you address?
PP: Lyrics have no influence for the experience of a RXAXPXE album.
We don’t want the devotee to read but we want him to get one with
the sounds, get infected by them and totally focus. No distraction of
this holy communion will be tolerated.
TM: What kind of material inspires you? Occult literature? Black
Metal? Films?
PP: The Devil.
TM: From an outsider's point of view, it seems as if your releases
are getting more and more high profile and that the project is
progressively recognised more and more. Would you agree? What does
the future hold in store for you?
PP: I am not quite sure about that. You know we are around for 10
years and do not invest much time nor effort in making things public.
Those who are hearing the call are doing so for other reasons.
Actually we are grateful for each individual who is joining the
movement.
TM: Thanks for the interview! Any last words, greetings etc?
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